Services
Sound Design
Developing a cohesive sonic language for each project - defining tone, scale, and texture through original sound creation.
Re-Recording Mixing
Where all sonic elements come together to create depth, emotion, and narrative focus - while being refined and optimized for theatrical, broadcast, and streaming delivery (stereo, 5.1, and Dolby Atmos).
Dialogue Editing/ADR
Editing and enhancing production dialogue and ADR for clarity, consistency, and natural flow - ensuring every line lands with intention.
Sound Supervision
Overseeing the full sonic journey of a project - from early creative conversations through final delivery.
Foley Supervision
Overseeing the creation of custom-performed sound effects that bring physicality and nuance to the screen.
Field Recording
On-location recording of environments, ambiences, and unique sound sources to create original, high-quality assets tailored to each project’s needs.
Film and Television
Commercial
About Me
As a sound designer and re-recording mixer for film, television, and commercial projects, I’m driven by the endless possibilities in audio, bringing the inspiration I find every day to each new project. I focus on the story and the creator’s vision to build a detailed and unique soundscape.
I take pride in fully immersing myself in a project and staying curious to find new ways for audiences to experience stories. Having had experience in theatre and music gives me a thorough perspective and contributes to fruitful collaborations.
I’ve been lucky to have worked on films that have played Tribeca, SXSW, Venice, Telluride, Palm Springs and more. As well as for studios such as Netflix, Universal, Legendary, Paramount Skydance, Hulu, and HBO.
I’m a member of the Motion Picture Editors Guild Local 700 and the Motion Picture Sound Editors (MPSE) Organization.
I work in Los Angeles, New York and remotely with clients all over the world.
My studio is equipped with Dolby Atmos for film as well as immersive music mixing.